- Nov 18, 2018
The couch needs to look sloppy and sad. The second couch has only two seats.
I am learning substance painter to apply texture to the model. I played with adding discoloration in places where drinks could have been spilled. The floral pattern is reminiscent of the 70s.
- Nov 18, 2018
Updated Kitchen Concept art to remove the light from the window and make the lamp the only light source.
The colors in this film have to correspond to the protagonist's state of mind. Therefore, the film will progress from a darker tone - to the darkest moment in which the mother dies - to the ultimate redemption and warmth of his decision not to commit suicide. The colors go from a neutral, dark blue to a grimy green (adding a little warmth in the form of yellow hues to the blue) and then ultimately end with a stronger yellow. The last scene introduces warm reds and pinker skintones.
After a quick discussion with the crew, I tried a greener first sequence, but now it looks too much like it is happening underwater, so we will continue reworking it.
- Nov 11, 2018
Designs for the curtains in the living room. I explored a combination of different sized, humble curtains, as well as a few other types of window treatments. We settled for short and bare curtains that are torn and worn to represent the mental state of Saul and the rest of the house.
Blocking in some props to populate the scene. These T-shaped windows will cast an interesting light and shadow shape on the living room.
